BY: YUYUK SUGARMA
Sinar Harapan, Saturday, 07 November 2009 12:26
Yogyakarta - Yogyakarta City public space will be charged full i artistic works of the artists.
On billboards, asphalt streets, the walls and the spaces blank will be plastered with paintings of digital print, installation, and even performing art or experimental art. While in four venues (Taman Budaya Yogyakarta, Jogja National Museum, the building of Bank Indonesia and Sangkring Art Space) is also going to be on the paintings by artists in the era of independence, such as Sudjojpno, Poster, and Affandi. Total, there are 130 artists (including Heri Dono, Dadang Christanto, Djoko scream, Jumaldi Alfi, Nasirun, Totok Buchori, Eddie Hara, Rudi Manthovani and still more seabrek other artists) who will be involved in the exhibition in door. Meanwhile, no fewer than 150 artists / groups (such as Seringgit Group, Dicky Tjandra, Albara, and Sweet Black Group) involved "beautify" the city of Yogyakarta.
That determination is embodied in the committee art Biennale event which will take place from December 10, 2009 until January 10, 2010. "Jogja Jamming: Art Movement Archives," the theme of the Biennale Jogja taken on X.
This theme was taken deliberately, according to Wahyudin, one of the curators, to show not a crap if the City of Yogyakarta is the cultural city. A city that gave birth to and galvanize the great artists is now being spread throughout Indonesia, and some even live abroad. A city that moves in modern thought, but still did not leave the tradition. The town remained promote brotherhood, communality, and comfort.
"The dynamics of the arts in Yogyakarta can be compared as in the music jam session. Every
artists respond to each other in the creative process. This pulse is reflected to the Biennale Jogja X. Jamming Jogja theme based on the dynamics of art discourse that took place in each decade, "added Butet Kartaredjasa, Director of the Biennale Jogja X in a press conference on Thursday (5 / 11).
Humanism Populist
If we look at art flashbacks of Yogyakarta, according to Kumi, we will see a spirit that becomes time marker. Populist humanism has become the dominant marker in the spirit of the time Affandi, Hendra Gunawan, and Sudjojono beginners who are generations of modern art in Indonesia until the 1960s.
ASRI (now ISI Yogyakarta) which was founded in the 1950s, could not, also brought the discourse which distinguishes itself from ca na wa the strongest in Ban dung for example. Pa in the New Order regime, which woke up in the discourse of art also tend apolitical.
Aesthetic forms that grow more dominant leading to increasingly so with the strengthening of universal humanism abstract art, decorative, and others. Later, we also know, "spirit" which has implications for the behavior and aesthetic choices, sued by later generations, as reflected in the "Ge New Art movement" and "Art Kepri ba dian What". Then, trend bird outside the world of art, namely a discussion of his "local" and to "global" in the 1980s has been dragged practices Yogya art.
In this case, the event Biennale Art of Painting I to Art Biennale Jogja IX ijadi can d it as a case study, particularly organizational problems its implementation. To the most contemporary practices of art that can not escape from the urban culture and market trends.
"Based on the spirit which is based in Yogyakarta art history is more than 200 artists will interpret the spirit of the age that has not ditoreh range of artists from the 1940s until the recent era of the 2000s," said Kumi. n
Sinar Harapan, Saturday, 07 November 2009 12:26
Yogyakarta - Yogyakarta City public space will be charged full i artistic works of the artists.
On billboards, asphalt streets, the walls and the spaces blank will be plastered with paintings of digital print, installation, and even performing art or experimental art. While in four venues (Taman Budaya Yogyakarta, Jogja National Museum, the building of Bank Indonesia and Sangkring Art Space) is also going to be on the paintings by artists in the era of independence, such as Sudjojpno, Poster, and Affandi. Total, there are 130 artists (including Heri Dono, Dadang Christanto, Djoko scream, Jumaldi Alfi, Nasirun, Totok Buchori, Eddie Hara, Rudi Manthovani and still more seabrek other artists) who will be involved in the exhibition in door. Meanwhile, no fewer than 150 artists / groups (such as Seringgit Group, Dicky Tjandra, Albara, and Sweet Black Group) involved "beautify" the city of Yogyakarta.
That determination is embodied in the committee art Biennale event which will take place from December 10, 2009 until January 10, 2010. "Jogja Jamming: Art Movement Archives," the theme of the Biennale Jogja taken on X.
This theme was taken deliberately, according to Wahyudin, one of the curators, to show not a crap if the City of Yogyakarta is the cultural city. A city that gave birth to and galvanize the great artists is now being spread throughout Indonesia, and some even live abroad. A city that moves in modern thought, but still did not leave the tradition. The town remained promote brotherhood, communality, and comfort.
"The dynamics of the arts in Yogyakarta can be compared as in the music jam session. Every
artists respond to each other in the creative process. This pulse is reflected to the Biennale Jogja X. Jamming Jogja theme based on the dynamics of art discourse that took place in each decade, "added Butet Kartaredjasa, Director of the Biennale Jogja X in a press conference on Thursday (5 / 11).
Humanism Populist
If we look at art flashbacks of Yogyakarta, according to Kumi, we will see a spirit that becomes time marker. Populist humanism has become the dominant marker in the spirit of the time Affandi, Hendra Gunawan, and Sudjojono beginners who are generations of modern art in Indonesia until the 1960s.
ASRI (now ISI Yogyakarta) which was founded in the 1950s, could not, also brought the discourse which distinguishes itself from ca na wa the strongest in Ban dung for example. Pa in the New Order regime, which woke up in the discourse of art also tend apolitical.
Aesthetic forms that grow more dominant leading to increasingly so with the strengthening of universal humanism abstract art, decorative, and others. Later, we also know, "spirit" which has implications for the behavior and aesthetic choices, sued by later generations, as reflected in the "Ge New Art movement" and "Art Kepri ba dian What". Then, trend bird outside the world of art, namely a discussion of his "local" and to "global" in the 1980s has been dragged practices Yogya art.
In this case, the event Biennale Art of Painting I to Art Biennale Jogja IX ijadi can d it as a case study, particularly organizational problems its implementation. To the most contemporary practices of art that can not escape from the urban culture and market trends.
"Based on the spirit which is based in Yogyakarta art history is more than 200 artists will interpret the spirit of the age that has not ditoreh range of artists from the 1940s until the recent era of the 2000s," said Kumi. n